„For curating to be anti-racist, however, it first needs to consider both subjectivity and process of subjectivation, and needs to ensure multiperspectivity. It is crucial to explore and question all narratives and exhibits of an exhibition along different line of inquiry. Whose history is being told? Whose perspective is been privileged? What kind of images are presented? Who reads these images and how? How have the exhibits been generated? How are the texts created? Do the narratives and images empower groups that have hitherto been either underrepresented or represented in a way that objectifies them? While these are essentially the very same questions that have -for a long time already- been guiding the discussions about 'history from below' as well as feminist and postcolonial historiography, it seems that they keep being actively forgotten.“

- Curating as Anti-racist Practice, Natalie Bayer, Belinda Kazeem-Kamiński, Nora Sternfeld